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Canberra is often understood as a plan before it is experienced as a place. This independent publication study reverses that order. The accordion begins with photographs and lets routes, distances and survey lines arrive afterwards as translucent annotations. Folding becomes a form of editing: one view can sit beside another, a horizon can continue across a crease, and a carefully planned city can still contain accidental light. The stone paperweight and acrylic map suggest two speeds of looking, one geological and one administrative. Neither wins. The atlas simply gives the photographs enough room to show that a city is both an idea drawn from above and a sequence of moments encountered at walking height.

The City Reading Room
This independent civic extension translates the photographic project into a public reading room. Images are sequenced by distance and viewpoint rather than chronology, inviting visitors to compare the designed city with the city they actually inhabit. Benches, light tables and generous margins slow the encounter down. Photography becomes a method of looking together.

Horizon Gauge
In Looking Canberra, the ridge draws the eye, but a railing, camera or figure tells us where the photographer stood. Horizon Gauge turns that difference into a pocket framing tool: hold the view fixed, then move a matte across it to see how much the foreground changes the reading.
Three stops, one view
Open shows the whole scene. Skyline isolates the ridge and its light. Foreground brings back the camera, rail or person. The browser study moves only the masks over three unretouched 2019 photographs; it neither rescales the frame nor replaces its sky.
At the lookout
The proposed 160 x 100 mm card sleeve and thumb tab are sized to hold in one hand. Try two stops from the same standing position before moving the camera. The image is a field-use visualization, not an installed object or a tested prototype.

Try the field frame
03 views / 03 stops
Read the whole view before choosing what to keep.